Chapter 1
April 2008. The skies over New York remained perpetually gray, as if heralding a coming storm. Rumors on Wall Street spread like a virus; the collapse of Bear Stearns was merely the beginning, and a cloud of panic had begun to shroud the city.
But inside the Rossi study, the storm had already made landfall.
The room was thick with smoke, the stench of Cuban cigars pungent enough to choke a man. Tony Rossi sat behind the massive mahogany desk, looking as though he had aged ten years overnight. His tie hung loosely around his neck, his eyes were webbed with blood, and the ashtray on the desk was overflowing with crushed butts.
Clemenza stood before the desk, hands clasped in front of her—a posture of submission cultivated since childhood.
"Papa, you wanted to see me?"
Tony did not answer immediately. Instead, he grabbed a file from the desk and slammed it violently onto the floor. Papers scattered everywhere. Clemenza caught glimpses of dense columns of figures, red ink, and a few glaring words: "Default," "Foreclosure."
"Those Jewish vampires on Wall Street!" Tony roared, his voice hoarse. "They told me those mortgage-backed securities were a sure thing! Now it's all gone! The family's liquidity is severed, the construction unions are striking, and I can't even fill the 'envelope' for the police commissioner!"
Clemenza remained silent. She knew what this meant. In the world of the mob, no money meant no power, and no power meant death.
Tony took a deep breath, seemingly trying to steady his emotions. He looked up at Clemenza, his gaze growing complex—there was guilt, yes, but overriding it was the cold resolve of a merchant assessing his inventory.
"Cle, we need to talk." Tony's voice softened, but that only made Clemenza feel more uneasy.
"What is it, Papa?"
"The Costa family... Carmine. He has proposed an aid package." Tony avoided his daughter's eyes, staring instead at the letter opener on his desk. "He is willing to inject capital to fill our deficit and guarantee our control over the Brooklyn docks. But he has one condition."
Clemenza's heart contracted violently.
"What condition?"
"Marriage." Tony finally said it. "He wants to marry you. A contract to merge the business territories of our two families. It’s a win-win deal."
Although she had a premonition, hearing the words actually leave her father's mouth made Clemenza's world spin.
"No..." She shook her head, taking a step back. "Papa, you know I got into Juilliard. I want to dance. I don't want to marry that murderer..."
"Can dancing save this family?!" Tony slammed the table and stood up, his roar making the glass in the bookcases vibrate. "Can dancing pay off millions in debt? Can dancing hold back the Russian mobsters who want to tear us apart? do you think this house, your expensive pointe shoes, your privileges at Lincoln Center just fell from the sky?"
"But that is my dream!" Clemenza retorted loudly for the first time, tears welling in her eyes. "I am a human being, not a chip you can trade! Not a wager you can use to pay off debts!"
"You are a Rossi!" Tony rounded the desk and marched up to her, grabbing her shoulders with shocking force. "You have enjoyed the privileges this family provided, eaten lobster and steak for twenty years, and now it is time for you to repay the family! This is your obligation!"
"I don't want these blood-stained privileges!"
*Smack!*
A resounding slap cut off her cry. Clemenza clutched her face, looking at her father in shock. Tony's hand hung in mid-air, trembling slightly.
"Listen to me, Clemenza." Tony's voice turned ice-cold and cruel, the tone he used when ordering the execution of a traitor. "This is not a request; it is an order. The engagement party is in two days. As for that... Juilliard Academy... forget it. Carmine is a traditional man. He doesn't want his wife exposing herself on stage, showing her legs to other men."
"You've ruined me..." Clemenza looked despairingly at the man who had once doted on her. "You have killed your own daughter with your bare hands."
"I am saving you." Tony turned his back, refusing to look at her. "Get out. Prepare to be a beautiful bride, and don't embarrass me."
Clemenza stumbled out of the study. She ran back to her room, locked the door, and slid down against the wood paneling to the floor.
In the corner of the room lay her ballet shoes, her only solace. But now, they looked like instruments of torture.
She looked at herself in the mirror—her left cheek red and swollen, her eyes broken. In that moment, her love for her father was completely extinguished, replaced by a bone-chilling hatred.
"Forget it?" She sneered softly at the mirror, tears streaking through the trace of blood at the corner of her mouth.
No, she would never forget. And she would never submit.
If this was the so-called family obligation, if this was her so-called fate, then she would rather set this gilded cage on fire with her own hands, even if it meant burning herself to ash along with it.
She pulled an old leather suitcase from under the bed and began to pack. But then her hand stopped. Run? The eyes of the Costa and Rossi families were everywhere under heaven; where could she possibly go?
Her gaze fell upon a copy of *The Count of Monte Cristo* on the bookshelf.
Running was useless. To survive, to obtain true freedom, she had to become more ruthless, more venomous, and more skilled at disguise than they were.
Clemenza stood up and wiped her tears dry. She walked to the window and looked out at the gray sky of Brooklyn.
If you want to see me dance, then I will dance for you. Only, the accompaniment to this dance will be the death knell of your destruction.
